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Aztec Sun The Creation Myth of the Aztecs VideoThe Fifth Sun - Aztec Myths - Extra Mythology
The rich and proud god Tecuciztecatl—Lord of the Snails—hesitated, and during that hesitation, the humble and poor Nanahuatzin meaning "full of sores" leaped into the flames and became the new sun.
Tecuciztecatl jumped in after him to become a second sun. However, the gods realized that two suns would overwhelm the world, so they threw a rabbit at Tecuciztecal and he became the moon—that is why you can still see the rabbit in the moon today.
The two celestial bodies were set in motion by Ehecatl, the god of the wind, who fiercely and violently blew the sun into motion.
The Fifth Sun called "4-Movement" is ruled by Tonatiuh , the sun god. This fifth sun is characterized by the daysign Ollin, which means movement.
According to Aztec beliefs, this indicated that this world would come to an end through earthquakes, and all the people will be eaten by sky monsters.
The Aztecs considered themselves the People of the Sun, and therefore their duty was to nourish the Sun god through blood offerings and sacrifices.
Failure to do this would cause the end of their world and the disappearance of the sun from the sky. Some drew suns and moons in a split design; others did just suns.
They painted solid areas of color with bright pre-mixed tempera colors, mimicking the colors of…. Illustration of six concentric circles. The current display and discussion surrounding the Sun Stone is part of a greater debate on how to decolonize non-Western material culture.
There are several other known monuments and sculptures that bear similar inscriptions. Most of them were found underneath the center of Mexico City, while others are of unknown origin.
Many fall under a category known as temalacatl , large stones built for ritual combat and sacrifice. Matos Moctezuma has proposed that the Aztec Sun Stone might also be one of these.
The Stone of Tizoc 's upward-facing side contains a calendrical depiction similar to that of the subject of this page.
Many of the formal elements are the same, although the five glyphs at the corners and center are not present. The tips of the compass here extend to the edge of the sculpture.
The Stone of Motecuhzoma I is a massive object approximately 12 feet in diameter and 3 feet high with the 8 pointed compass iconography.
The center depicts the sun deity Tonatiuh with the tongue sticking out. The Philadelphia Museum of Art has another, viewable here. This one is much smaller, but still bears the calendar iconography and is listed in their catalog as "Calendar Stone".
The side surface is split into two bands, the lower of which represents Venus with knives for eyes; the upper band has two rows of citlallo star icons.
This object can be viewed here. It bears similar hieroglyphic inscriptions to the Aztec Sun Stone, with 4-Movement at the center surrounded by 4-Jaguar, 4-Wind, 4-Rain, and 4-Water, all of which represent one of the five suns, or "cosmic eras".
The year sign Reed in the lower middle places the creation of this sculpture in , the year of Motecuhzoma II's coronation, while 1-Crocodile, the day in the upper middle, may indicate the day of the ceremony.
The Throne of Montezuma uses the same cardinal point iconography  as part of a larger whole. The monument was discovered in underneath the National Palace  in Mexico City and is approximately 1 meter square at the base and 1.
The compass motif with Ollin can be found in stone altars built for the New Fire ceremony. The British Museum possesses a cuauhxicalli which may depict the tension between two opposites, the power of the sun represented by the solar face and the power of the moon represented with lunar iconography on the rear of the object.
This would be a parallel to the Templo Mayor with its depictions of Huitzilopochtli as one of the two deities of the temple and the large monument to Coyolxauhqui.
From Wikipedia, the free encyclopedia. For the gemstone, see Sunstone. The Stone of the Sun as it was exhibited in the National Museum, photograph taken in Photograph from of the Piedra del Sol with Venustiano Carranza.
Archived from the original on Retrieved National Narratives in Mexico. Nancy T. Hancock trans. Norman: University of Oklahoma Press. Retrieved December 17, Austin: University of Texas Press.
Archived from the original PDF on March 5, Retrieved January 29, Imprenta de Jens y Zapiaine. Escultura Monumental Mexica. Fondo de Cultura.
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